During the group’s work, participants will learn about the entire process of a single project:

• Online layout with offline materials and color correction.
• Corrections in editing, applying customer annotations, color space.
• External plugins – BorisFX Mocha, Sapphire, Gizma, Nukepedia.
• Greenscreen – how to approach it.
• Tracking, tracking 3D
• Importing materials from external sources and embedding them in the shot.
• Again with that microphone?!!! Removing foreign elements from the frame.
• Why make it harder on yourself? How to make your work easier using a variety of tools at your disposal.
• Let’s add a logo in the corner means – working with additional layers.
• Shots/layouts export.

Jacek Skrobisz – VFX Supervisor and online artist. I took part in creating thousands of commercials (not a slip of the tongue), dozens of feature films and series. I’ve started playing around with effects for feature films while working on Juliusz Machulski’s Two Kilers 2 (Kilerów 2) back in 1999. Was part of the post-production team on such films as: Katyn, Wałęsa, Suicide Room, Venice, Yarden, My name is Sara and many others.One of my latest projects is a French documentary about Stanley Kubrick. I’ve been working with computer film effects practically from the dawn of this industry in Poland. For several years I have worked in the biggest postproduction companies such as Orka, Chimney or Platige. Now I’m a Ceo in POST. I started with 3D Studio, Wavefront (3D animation) and a bit of Avid about 20 years ago. Then it came online Matador software, and the first versions of After Effect. I’ve spent a long time working on Discreet Logic programs (Flame / Inferno / Fire / Smoke). There was also Shake, so I can teach you a whole range of online programs. I’ve been mainly working with Nuke Studio and Houdini for several years now. I believe that the software is a tool – what counts is the ability to solve a full range of problems.