The basic plan for a feature movie plays the role of an X-ray of the character’s soul with whom we identify (as viewers). Having spent almost two hours intimately with the protagonist, we have to find more than just passport information about the face of the character in our film – says Artur Reinhart.

In a special workplace created by Nikon, Artur Reinhart together with participants will practically analyze the role of close-ups in contemporary film. We will also ask other tutors to share their experiences in planning and making film close-ups in their projects.

Fot. Filip Błażejowski

Artur Reinhart – a graduate of the Direction of Photography department at the Łódź Film School, cinematographer,  producer, film editor, founder of the “Polska Światłoczuła” year-long project. Double winner of Golden Frog award at Camerimage festival and Polish Film Awards for the best cinematography. He won three awards at the Polish Film Festival in Gdynia, as well as the American Society of Cinematographers Award. Director of photography in many Polish and foreign feature films, including “Crows”, “Nothing”, “I am”, “Time to die”, “Tomorrow will be better”, “Venice”.

Partner of the group: